#640
watercolor
20 x 30 cm
Price $80
Friday, July 29, 2016
Tuesday, July 26, 2016
Thursday, July 7, 2016
Saturday, July 2, 2016
Thursday, June 30, 2016
Monday, June 27, 2016
Monday, June 20, 2016
Sunday, June 19, 2016
Friday, June 17, 2016
Tuesday, June 7, 2016
Friday, June 3, 2016
Monday, May 30, 2016
Wednesday, May 25, 2016
Poster for the Art Exchange
#623
30 x 40 cm
Acrylic and Oil on WC paper
This is a poster (without the text) for our village's art exchange.
30 x 40 cm
Acrylic and Oil on WC paper
This is a poster (without the text) for our village's art exchange.
Wednesday, May 11, 2016
Tuesday, May 10, 2016
Saturday, April 30, 2016
David and Goliath
David and Goliath
Size don't matter,
if you're short,
just use a ladder.
Skill and practice
will make you an artist.
Go home and draw, draw, and draw
then show us the best art we ever saw.
Thursday, April 28, 2016
Sculpture Cast
#618
Reproduction of a cast in clay
In this exercise we copied an existing cast in clay. This is an interesting study for us visual artists.
Tuesday, April 26, 2016
Cast Drawing 1
#617
Cast Drawing in Charcoal.
40 x 40 cm
charcoal on paper
The goal of a cast drawing is to copy a white cast as accurately as possible. It means to understand the values of a white cast against a dark background.
Here you see three stages.
The very fist stage is not shown, it is the line drawing.
The first stage here, is the flat shadows. No great value range, just an indication of the light and dark shapes.
The second stage is the "Big Look" which should indicate the darkest and lightest values of the drawing.
The last stage is the fully rendered drawing. There you should see the full range of values, the soft and hard edges, and the modeling of the forms.
Cast Drawing in Charcoal.
40 x 40 cm
charcoal on paper
The goal of a cast drawing is to copy a white cast as accurately as possible. It means to understand the values of a white cast against a dark background.
Here you see three stages.
The very fist stage is not shown, it is the line drawing.
The first stage here, is the flat shadows. No great value range, just an indication of the light and dark shapes.
The second stage is the "Big Look" which should indicate the darkest and lightest values of the drawing.
The last stage is the fully rendered drawing. There you should see the full range of values, the soft and hard edges, and the modeling of the forms.
Thursday, April 21, 2016
Brantevik Breeze
#611
oil on canvas
55 x 46 cm
This is a day to seize
the Brantevik Breeze.
The fields like a patchwork quilt
and boats in the village built.
I never thought Sweden so green,
I thought it was icey and lean.
Österlen, to my surprise
is as pretty as where the Riviera lies.
sold
oil on canvas
55 x 46 cm
This is a day to seize
the Brantevik Breeze.
The fields like a patchwork quilt
and boats in the village built.
I never thought Sweden so green,
I thought it was icey and lean.
Österlen, to my surprise
is as pretty as where the Riviera lies.
sold
Jump
Watercolor
24 x 18 cm
What is more free
than to jump buck naked into the sea.
To leave the clothes behind
rid of all that binds.
To jump so high
you can touch the sky.
Not care where you land
you'll find the soft sand.
Just imagine to be free,
how good it can be.
Wednesday, April 20, 2016
Woman
#614
Charcoal on toned paper
80 x 40 cm
Give her sperm and she makes a baby
Give her a house and she makes a home
Give her groceries and she makes a meal.
She is the keeper of life.
Charcoal on toned paper
80 x 40 cm
Give her sperm and she makes a baby
Give her a house and she makes a home
Give her groceries and she makes a meal.
She is the keeper of life.
Monday, April 11, 2016
Arne's House by the Sea
#610
Charcoal on paper
36 x 48 cm
Charcoal on paper
36 x 48 cm
My neighbor Arne
is old and gnarly.
He's lived by the sea for 80 some years
He's seen high water and plenty of tears.
He knows of the wind from the east
that turns the sea into a wild beast.
He's wise and old
and he has foretold
to calm our fears
that all will be well for another 80 some years.
sold
to calm our fears
that all will be well for another 80 some years.
sold
Friday, April 8, 2016
Monday, April 4, 2016
Saturday, April 2, 2016
Sunday, March 6, 2016
Master Copy - Portrait
#600
This is a copy of a master drawing, with help from our teacher, Theodora Daniela Capat.
33 x 50 cm
Charcoal on paper
This is a copy of a master drawing, with help from our teacher, Theodora Daniela Capat.
33 x 50 cm
Charcoal on paper
Bargue Copy #3
#602
My third Bargue copy. The exercise is to take as much time as it takes to exactly copy the original lithograph.
I am not finished with this one, a few hours to go.
graphite on paper
A4
My third Bargue copy. The exercise is to take as much time as it takes to exactly copy the original lithograph.
I am not finished with this one, a few hours to go.
graphite on paper
A4
Sunday, February 28, 2016
Artist's Statement
I worked like a dog as an industry cog.
I wrote one thousand five hundred weekly reports,
none of them read by my cohorts.
I was a team player, never a nay sayer.
I had good bosses and bad,
so many meetings it is sad.
I shifted paradigm, and carried the party line.
I did lunches and brunches.
I thought ouside the box,
and did not cross the line.
I had 5-meeting-days,
and a 50-email-an-hour pace
well - all that stress pays.
And one day I stopped, the bubble had popped.
I jumped off the cliff of this financial bliss.
I started to paint and without restraint
I make a world of my own where beauty and compassion is shown.
Colors are bright,
interiors are drenched in sun light,
figures and gestures portraits and textures.
I paint because I have only ONE life,
and when you posess a painting of mine,
you too, have escaped the doldrums of nine to five.
I wrote one thousand five hundred weekly reports,
none of them read by my cohorts.
I was a team player, never a nay sayer.
I had good bosses and bad,
so many meetings it is sad.
I shifted paradigm, and carried the party line.
I did lunches and brunches.
I thought ouside the box,
and did not cross the line.
I had 5-meeting-days,
and a 50-email-an-hour pace
well - all that stress pays.
And one day I stopped, the bubble had popped.
I jumped off the cliff of this financial bliss.
I started to paint and without restraint
I make a world of my own where beauty and compassion is shown.
Colors are bright,
interiors are drenched in sun light,
figures and gestures portraits and textures.
I paint because I have only ONE life,
and when you posess a painting of mine,
you too, have escaped the doldrums of nine to five.
Sunday, February 21, 2016
Sunday, February 14, 2016
Saturday, February 13, 2016
Tuesday, February 9, 2016
A New World
#595
Graphite
Graphite
A5
Peeling back the skin
reveals an new world within.
Shiny and clean
not a spot on its sheen
and what do we get
with the new world set?
Junk food is healthy
Unix is friendly
Claculus is easy
Loosing weight is a piece of cake.
Terrorists are happy on Zoloft
the government debt is payed off
Poverty has been eliminated
Dictators erradicated
All software bugs exterminated
It's ideal, comfy, and clean
all we do is watch TV and eat ice cream
But,
one thing that we forgot
this new world, is just not HOT
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